poetry Archives - Pilgrim Notes

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Poetry vs Prose

In “The Poetry of Thought,” George Steiner offers an essay on philosophic poetry in ancient Greece where he contrasts the vital power of poetry with the record keeping nature of prose. Drawing from Plato, he suggests that poetry is closer to oral patterns of speech and carries patterns of memory with the force of creating newness. I think can only think of Eugen Rosenstock Huessy’s (ERH) suggestion that “speech creates the future,” whereas most talking is not speech but simply chatter.

Another possible parallel with ERH is Steiner’s later discussion of Heraclitus and the value of the fragmentary voice, the incomplete in future speech. ERH suggests that the future generation is a grown seeking articulation. Speaking the future comes not in comprehensive records (as in prose), but in fiery proclamation like Isaiah’s charged language of the coming king.

Steiner writes,

Prose is wholly permeable to the dishevelment and corruptions of the “real world.” It is ontologically mundane (mundum). Narrative sequence often carries with it the spurious promise of logical relation and coherence. Millennia of orality precede the use of prose for anything but administrative and mercantile notations (those lists of domestic animals in LInear B). The writing down in prose of philosophic propositions and debates, of fictions and history is a specialized ramification. Conceivably, it is symptomatic of decay. Famously, Plato views it with distaste. Writing, he urges, subverts, enfeebles the primordial strengths and arts of memory, mother of the Muses. It purports a factitious authority by preventing immediate challenge and self-correction. It lays claim to false monumentality. Only oral exchanges, the license of interruption as in the dialectic, can quicken intellectual inquiry toward responsible insight, insight that is answerable to dissent.

Hence the recurrent resort to dialogue in the works of Plato himself, in the lost books of Aristotle, in Galileo, Hume and Valery. Because it preserves within its scripted forms the dynamics of the speaking voice, because it is in essence vocal and kindred to music, poetry not only precedes prose but is, paradoxically, the more natural performative mode. Poetry exercises, nurtures memory as prose does not. Its universality is indeed that of music; many ethnic legacies have no other genre. In Hebrew scriptures the prosaic elements are instinct with the beat of verse. Read them aloud and they tend toward song. A good poem conveys the postulate of a new beginning, the vita nova of the unprecedented. So much prose is a creature of habit. (25-26)

Mei Yao Ch'en on Spring, Death and Beauty

March 1, 2010 / dougfloyd / 1 Comment

(Photo used with permission, "Potential" by jspad)

When I sit down to read, I like to begin with poetry as a means of opening my hears to hear more clearly. Poetry slows my pace, stirs my heart and helps me to focus in the moment. Lately, I’ve been reading Kenneth Rexroth’s One Hundred Poems from the Chinese.

Mei Yao Ch’en (1002-1060) writes beautiful poems of loss and death. Mei Yao Ch’en gives voice to real sorrow while still voicing creation’s praise. He captures the wonder and terror of the world in a single moment. Even in death, he is overcome by the unstoppable force of life all around, and must give voice to the glory.

1,000 years later, I am overcome with the life that continues to burst from his heart.

On the Death of a New Born Child

The flowers in bud on the trees
Are pure like this dead child.
The East wind will not let them last.
It will blow them into blossom,
And at last into the earth.
It is the same with this beautiful life
Which was so dear to me.
While his mother is weeping tears of blood,
Her breasts are filling with milk.

Mei Yao Ch’en

(If interested, you can also read some of Rexroth’s translations online.)

Poems to Live By in Troubling Times

February 12, 2010 / dougfloyd / 2 Comments

A friend gave me a copy of Joan Murray’s, “Poems to Live By in Troubling Times” last December. So far I haven’t been able to get past the second poem.

That’s not an indictment on poor writing. Just the opposite. It is a voice of gratitude for words that “git way inside us” as Sterling Brown once wrote of “Ma Rainey.” Published in response to the bombing on 9/11/2001, Murray’s early words still resonate. Listen to her introductory remarks,

I was moved by people’s urgent and unembarrassed need for a poem–for words that cut through all the pages of reportage…

We live in an age of too much reporting and too little resonation. From the earthquake in Haiti to continuing economic problems in the US and throughout the world, we need to hear more than facts. Yes, reporting can be helpful and facts may convey aspects of specific events but we need to learn how to mourn, how to lament, how to rejoice. Eugen Rosenstock Huessy accused the modern man of losing his humanity in the constant bits of data that pound us daily, and he wrote this in the 40s. He suggested the modern man has forgotten how to wail and how to moan as well as how to shout and dance with all our hearts. Instead, we live muted lives somewhere in between.

Murray offers a collection of poems that help train us to lament. That call upon the wells of grief in our troubled souls. Shortly after 9/11, she was riding on a train with “six young men on their way to New York to dig at the wreckage site.” In this difficult time, she waas overcome by their willingness to face the task ahead. She writes, “Yet by coming forward to do this very difficult thing, they had stepped across the line and had become larger than themselves. They seemed to be lit from within.”

Responding to this encounter, Murray wrote the poem, “Survivors–Found.” She writes, “It was clearly an occasional poem, admittedly not a great poem. But it had to force of an inevitable poem, as if someone needed it.”

We need poems. We need poets. We need to set aside times for listening and responding to our world in ways that reach deeper than the competing facts dancing on the surface. In our soul starved age, we need more inevitable poems, and I am grateful for the heart and the gift of Joan Murray’s voice.

Buried Treasure

October 22, 2008 / dougfloyd / 0 Comments

After hours of digging, we finally quit. My sister and I were going to dig to China (or at least discover some buried treasure in the process). I guess we choose the wrong spot. Like most children, visions of treasure chests often danced in our eyes as we longed to find that one map that would lead us to “x marks the spot.”

I never found that map.

Over time, the passion of childhood dreams is buried beneath layers of pain and disappointment. Hope that is frustrated again and again goes underground. But it still bubbles, and once in a while we feel fleeting sensations of this childhood ache for Christmas magic, buried treasure and the world of fairies. Chesterton and Lewis realized that this we wouldn’t have this longing if it wasn’t for something real.

Here is a delightful verse from my favorite poet Bobi Jones (translated by Joseph Clancy). Hope you enjoy, and may it stir a little longing in your soul.

Labrador
By Bobi Jones

Cold ugly lady with beads
of icebergs around your sea
like stumps of teeth,

Uncivilized, empty, and fruitless apart
from the ore beneath your soil that is
a complex in the sub-conscious.

Out of sight your embryo, in
your wine cellars, the love child
deep beneath your desolation,

Is about to flourish like a fountain. Overhead
the sun is always moon
shining over the blossoms

Out of sight beneath the soil forever.
Singing was hid there,
colours are buried: here it is all

A waiting, all of it is about to come,
and the strain of holding the possibilities
inside, a discipline

We in Wales don’t know much about.

Learning to Think

August 14, 2008 / dougfloyd / 0 Comments

This probably deserves more space, but I was talking with our group last night about the need to learn the habit of thinking. We live in times when we are bombarded with information, bits of data. From blogs like this to rss feeds to non-stop entertainment and 24 news cycles, we know lots and lots about little bits of stuff. But instead of helping us to think, this immersion into data seems to make everyone talk and act like robots that repeat the latest cliche.

We need time to pause and wait and think. A.W. Tozer once suggested that books should starting the thinking process but reading is not a replacement for thinking.

As I was reflecting on the story of King David, I thought about how his time as a shepherd gave him time to think. From the psalms he composed, it is clear that he spent time thinking, reflecting and contemplating upon the law, the creation around him, relationships and even statecraft. We talk about David the warrior and David the psalmist but I would also think of him as David the thinker.

Thinking is not about using large words that exclude most people and only allow specialists to enter a dialogue. Nor is it about forming other kinds of exclusive clubs that exalt one set of ideas or one group over another. It is the habit of regular reflection. The habit of using our imagination and reason together. And in the Bible, it is about training the mind and heart to focus on the Word, soak in the Word, reflect on the Word and reflect upon the world around me through the lens of the Word. And thinking is not simply silent ideas swirling in my head. It is speaking and singing thought.

The Psalms and poetry (as well as Eugen Rosenstock Huessy) have taught me about speech-thinking. The poet focuses upon the particular, the common, the thing right in front of him. As he reflects and speaks about the “thingyness” of the thing before him, his ideas explode outward, opening the particular thing into a vision of the universal.

Here is a poem by the Welsh poet Bobi Jones (translated by Joseph Clancy). Imagine Bobi enjoying a warm home with his family. As he sits before the hearth and thinks about the heat circulating through the house, he sees the grace of God afresh. He redefines fire and heat and hearth for us as we live thorugh his eyes.

As I read this poem yet again, I pray for eyes to see the world around me, and the discipline to pause and think about all the great gifts that fill my world.

Hearth

Hell is fire; then there’s a fire that’s Heaven
In a grate amidst the children. We draw close around it
And listen to the beating of its orange wings
Against the breeze that’s gathered the invisible
Confidential cooking of the hearth.
The fire from the sky, it broke through the rain
And alighted like a bird upon the kitchen altar.
And the mother caught it like Noah’s dove
Between her two hands and offered it becomingly.

Which of us who listen to it can help but hear
The warm melody of the kettleful of family?
In bed, between mother and myself,
God is warm; and His place at the table’s filled.
He is the Musician we hear coming
From room to room in secret.
It is His music heats the house
Gurgling through feet and blood, to rise,
Smokeless, to our half drunk heads.

Only those who know the sunshine know the beauty
That breaks across the mat between door and cupboard.
It pierces to the marrow of all laughter patiently
Like a tune that lingers round the edges of the mind
Or a cat curling up. Our song’s purring, the love
That’s been composed so cunningly, that’s been performed
On the harpstrings of the family fires through Him.

by Bobi Jones (translated by Joseph Clancy)

In Praise of Pasture

July 6, 2008 / dougfloyd / 0 Comments

Notes on “To a Scrap of Pasture Pushing Itself Between the Slates of Pavement”

Bobi Jones sings a song a praise “To a Scrap of Pasture Pushing Itself Between the Slates of Pavement.” As he looks out upon the square in the middle of town, he sees a blade of grass growing up through the pavement. He hears God singing through this pasture, and revealing in image His wisdom in parables, His holy presence, His birth and death and resurrection.

Though we pave over the earth, His song cannot be stopped, and “His lightning will tongue-lash freely from the earth.” In this small blade, Jones sees a “deluge” and an “eloquent greenery” that “narrates His life and speaks in parables on all sides.”

Jones calls us to look with him,
“When we look, there are angels near the stage
And the mist at the back, its head in feathers.”
These words call to my mind the image of Isaiah’s encounter with the holiness of God in the temple. Isaiah sees the Lord “high and lifted up” and the “train of His robe filling the temple.” Around the throne he sees angels, covered in winged and hiding their face and feet before the holiness of God.

In the middle of a town square filled with people moving to and fro, God reveals His holy power and glory in a single blade of grass. This blade of grass becomes a “thin place” where the glory of God is revealed, shouting aloud the wisdom of God. But the simple pass by and miss the awesome display of God’s wonder.

The song that is sung is the song of the Word made Flesh. For in the blade of grass, Jones sees a mystery. He “watch(es) Him being born there.” This blade of grass speaks to Jones of the nativity and the irrepressible life of Christ, but the image of pasture also speaks of grain that is formed into bread.

As Jesus proclaimed, “Unless a grain of wheat fall into the ground and die, it remains a single grain.” Jones sees this grain springing up in bread that feeds the people of God with the bread of heaven, the Lord’s Supper. Jones writes,
An herb whose flesh’s heap of crops we taste
In the tasting it turns to wormwood like each scrap that grows
But I know beneath my ribs the coming of the hour’s astonishment.
The supper is bitter for in partaking of His body broken for us, we are entering into the communion of death. Jones writes that the bread is literally beneath his ribs being digested. In the meal of death, we partake of life anew.

The bread of heaven nourishes. Even as our body draws nourishment from the physical bread, our whole person draws life from the bread of Christ. In His death, we know life. For in His death, we can participate in the great mystery of life after death.

Each day we rise, we taste the sweetness of death in Christ and the hope of life after death. His irrepressible life is at work in us. So no matter what happens in our world. The fools of the world can try to extinguish God’s word and life and power from the earth, but they cannot, for it springs afresh in us, in a little blade of grass bursting through the pavement, and in all creation.

He’s performing. The foolish civilization of today can
Kill Him and bury Him deep. The inherent will frolic through the soil.
In the hand of the grassblade the creation trembles,
And it sows eternity itself: tender is the land.

The Gift of the Poets

June 18, 2008 / dougfloyd / 0 Comments

In his poems praising various people, Bobi Jones writes a poem to the poet. The Celtic poets use the discipline of constant praise to offer thanks, challenge status quo, offer social commentary and more.

Such a praising of the harvesting of the keeping–the baby’s life,
The lad’s life, the old man’s life behind your door.*

Bobi realizes that the poet connects the generations. And for a people crushed either personally or as a nation, the poet transforms that pain:

And you turned the blows as well into a praise of living.

These Welsh poets have personally gifted me with the habit of praise, of sight to praise and as Bobi says, of learning to transform the struggles and blows in this world into a “praise of living.”

The poet offers everything–the very essence of his life–in service to the gift.

From your immense Preselau** you raised teh walls of your belonging
And in the presence of its sun’s rafters you consecrated your laughter’s values:
You made your people one in a mystery sea.
You included us in your family. You sang
The white guts of your praise and your being, and you planted
Your leaves in our back-garden in proper robes like a choir.

* – Bobi Jones writes poetry exclusively in Welsh, so when I quote him, I am quoting Joseph Clancy’s translations.

** – Preselau or Presely Hills, a place in Wales (whose location is in question). I think this poem is using it as a way of identifying the land of the poet (which like the ancient Hebrew is connected with his salvation).

Rhiannon and the Pursuit of Woman

June 12, 2008 / dougfloyd / 0 Comments

Bobi Jones captures the one of the Welsh myths from the Mabinogion in verse with his poem Rhiannon. This love story centers on the pursuit of a woman by a man over hills and into mist. No matter how fast his servant or his horse travel, Pwyll cannot reach the object of his affection. In desperation, he calls out to her and she stops and tells her tale and ends up marrying him.

When he beholds this vision of beauty, Pwyll proclaims,

She was dew: if the mournful sun should dare
attempt to lure her away, it would not deserve to dawn.

Then Jones’ poem (in Pwyll’s voice) describes the rapturous vision of Rhiannon by saying,

To see her like precious life fleeting away,
Nervous maidenhood raining along her shoulders
And everyone slaking his thirst in watch her:
As smoothly as blood in a vein she glided
On the white stallion-heart through the morning mist.
How shall one sing her purity?…Not like one
Moving in the outer world was her going,
Unless like a breeze softly wooing the ear,
Like a shadow of waters slanting the mind.

Is she a goddess? Is she a human? Has she crossed over from a thin place? Reading Jones’ poem the other day, I was struck by how vision of Rhiannon mixes physical attraction with spiritual longing. In the woman, he beholds something, someone that touches him deeper than simple lust for the other.

In Rhiannon, Jones’s stirred me to think of a vision beyond the Celtic myth to the pursuit of woman. Why do men respond the shape, movement, touch, smell, and voice of woman? The powerful warrior is powerless before such beauty. The intellectual falls dumbstruck in the presence of woman. Is this not part of the mystery of Song of Solomon and the passion between David and Bathsheba.

Then as I reflected on this response to the beauty of woman, I was moved by the decision of God to reveal his relationship with humans in the context of man pursuing woman. This pursuit is not the violent conquest of predator but of the Prince running toward His beloved in the folds of a misty morning.

In the midst of the pursuit, He speaks and His words capture the heart of the maiden.

With all our books about pursuing God and our songs about our love for God, we must not forget the real story. Our feeble responses and pursuits are but dim reflections of a God who runs to His bride. Though she seems to elude Him, He runs straight through the curse of sin and death to pursue His beloved. Then He speaks but a word and she, we, His people are overwhelmed by a love beyond knowing.

Again and again we fall back into His faithful loving arms, and by His grace we are learning to trust the Lover who defines the eseence of love by selling all that He has (giving up His life) to purchase the pearl of great price.

Tomorrow when I arise, I would do well to remember Jones’ poem Rhiannon and expect the Lover of my soul to pursue me through the hills and valleys of my wandering life.

Potatoes and Peace!

May 16, 2007 / dougfloyd / 0 Comments

During the middle of the Cold War, as America and the Soviet Union raided their children’s future to fund a space program, Welsh poet Bobi Jones wrote a plea for peace with the potato as a love messenger. Could the poor potato bring that love message to our warring world?

Sending a Potato as a Love-Messenger to the Spacemen of America and Russia

Will you go for me to the moon-struck men?
Oh political matter, will you go?
(Stars and moon are political matters now:
A potato’s a political matter in our enlightened age.)
I’d like to see you go because you know what it is
To be in hot water, old friend of peas,
Fellow union-member with meat. You know
The slums of the earth, and on your crooked back
Is found the mark of toil; through your pits
You’ve heard the simple cursing of the unchosen people
Of worms and the beetles (neighbor of beans).
I’ll send you, because you’re a fist, and your smile
Is almost kind; and tell them
(The interworldists who are worse than the almost unmentionable internationalists)
Of solid lands, stupid potato
Of good leaves, of deep soil with roots, of fat ants
That lick a hollow through your side. I know
That will be a void of meaning, but at least
It will be a void fit for them to fly through
On a new course. So they will sing to hear you,
And you know how a seed can grow
When the forests have doffed their shadows
And when the mornings come to ride their big-bellied colts.
You needn’t insist you can’t possibly go
Because you’re so fatigued: ask someone to fling you.

(from Bobi Jones, Selected Poems, Christopher Davies Ltd: Swansea, Wales, 1987.)

Bobi Jones

November 15, 2006 / dougfloyd / 0 Comments

Here is a little poem from one of my favorite Welsh poets, Bobi Jones. Hopefully this will suffice in lieu of a good quote for the day. And I must also offer tribute to Joseph Clancy for the translation (as translation is an integral part of the poetic art).

The Middle Aged Poet

The child has dried up; his play and his sweat have died
His dance has shrivelled, besieged by bloated limbs,
And his leg’s sprightliness has grown bitter. I wonder whether
The muse can restore it in her swaddlings? Yes. Though finger
And thumb and ankle rot, praise will surely escape from their pit
By night, and make metre of the corruption: angels of mirth
Will still chat in the joints of the Poem. I bear within me
The innocents’ cheerful graveyard; an occasional night
Invites the remains of me to creep secretly out
To the early-patterned white leaves, and I dance a cradle’s questions
Through them, rhymes’ curiosity, till the dawn;
Then heavily, stooped, sad, in a magic procession,
Like lamentations that ventured out freely
For a time, they muster back to my silent daily ageing.

Pilgrim Notes

Reflections along the way.